Music Publishing
The ins & outs of Ditto Music Publishing.
39 articles
I am the songwriter - how do I register my songs with Ditto Music publishing?
I have a Ditto Label plan - how do I make sure my artists are paid their publishing royalties?
Do I need to add an alternative title when registering a track for publishing?
How do I clear a track with samples when registering a Musical Work for Publishing?
How do I obtain an IPI/CAE Number?
What is an ISWC Number?
How do I obtain an ISWC number for my musical work?
Why is my publishing registration still set to ‘Pending’ Status?
Can I delete and edit my publishing registration if I've submitted incorrect information?
How do registered collection shares work?
Can I use Ditto’s publishing service if I have already assigned my works to another publisher?
Why can’t I register works that use international characters?
How do Writer Roles work?
When will I be paid my publishing royalties?
How much money will I receive in publishing royalties?
Will Ditto Music Publishing take a cut of my music publishing royalties?
Will I get paid for streams and radio plays that happened before I joined Ditto Music Publishing?
I am a member of a PRO - will I still receive royalties directly from my PRO?
How do I view my publishing royalties?
What is sync?
How do I pitch my music for sync?
What sync opportunities do you pitch music for?
What sync placements has Ditto secured?
Will Ditto pitch my music for global sync opportunities?
Will I get to approve the sync fee?
Will I receive feedback on my music?
Will you tell me if you have pitched my music?
What makes a track suitable for sync?
Can I pitch tracks for sync opportunities that are not assigned to Ditto Music Publishing?
Can I find my own sync placements?